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The woman looked at Mara. "Because patterns can fray. Because new ears are needed to hear them cleanly. Because there are those who would market these things. Imagine a corporation packaging a tune that makes you buy forever."
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Mara frowned. She'd never seen anything like it. She listened, then listened again. Midway through the piece a voice spoke her name, plain as if someone stood in the room: "Mara."
The address led her to an elevator that smelled like lemon oil and closed with a sigh. On the twelfth floor, an open door let her into a room lit by strings of filament bulbs. A circle of mismatched chairs faced a small stage. People sat in the chairs—young, old, people with hair like storms and fingers marked by decades of playing instruments. They watched her as she entered, as if they'd been waiting.