For most of the 20th century, the "universal" story was almost exclusively a white story. In film, television, and literature, white protagonists were positioned as the default, while characters of color were often relegated to the periphery or used as plot devices.

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White entertainment content was never simply entertainment. It was a pedagogical tool. It taught generations of white viewers that their lives were the default human story, and it taught generations of non-white viewers that their lives were peripheral, exotic, or invisible. For most of the 20th century, the "universal"

in various formats (3D, square, open, or blank) to use as a starting point. 2. Developing a "White Paper" Document If "create a paper" refers to writing a White Paper A Thousand Blows White entertainment content was never