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A long conversation with a composer threaded music through the pages. They argued about rhythm: whether music should explain emotion or complicate it. Mani insisted on complication. “If the score tells you what to feel,” he wrote, “you’re no longer watching a life unfold; you’re being led by the hand.” He preferred harmonies that contradicted dialogue, melodies that suggested an alternative memory.
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: The book is structured chronologically, but it frequently references different movies within a single chapter. Enthusiasts recommend watching his major films—such as Mouna Raagam , Nayakan , Thalapathi , and Roja —before reading to better visualize the scenes being discussed. A long conversation with a composer threaded music