As the summer wanes and the crowds thin out, the atmosphere turns from erotic to claustrophobic. Michel’s true nature becomes impossible to ignore:
Alain Guiraudie’s 2013 film, Stranger by the Lake (L'Inconnu du Lac), is a provocative masterpiece that strips cinema down to its most primal elements: desire, danger, and the gaze. Set entirely at a lakeside cruising spot for men in rural France, the film functions as both a naturalistic study of subculture and a taut Hitchcockian thriller. By confining the action to a single location and eschewing a traditional musical score, Guiraudie creates an atmosphere of hyper-realism where the sounds of rustling leaves and lapping water heighten the tension of the unknown.
Late one night, in a tense and terrifying sequence, Michel stalks Henri through the dark forest. Henri, terrified and hiding in the bushes, realizes he is prey. Franck, searching for them, eventually stumbles upon the aftermath. He finds that Michel has strangled Henri.