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Despite its progressive reputation, Kerala has deep caste fault lines (especially against Dalits and the avarnas ). Mainstream Malayalam cinema was largely silent on this until recently. The ‘New Generation’ has broken this silence, but often through allegory. Ee.Ma.Yau (2018) uses the death of a poor Christian fisherman and the farcical attempt to give him a ‘proper’ burial to expose class and caste hierarchies within the church itself. Paleri Manikyam: Oru Pathirakolapathakathinte Katha (2009) reconstructs a real-life caste murder from the 1950s.

Following that, Thinkalazhcha Nishchayam (Engagement on Monday) and Pada (The Court) have pushed the boundaries of how womanhood is depicted. www desi mallu com new