For decades, the arc of a woman’s story in cinema was a short, steep peak. It began with the ingénue, ascended through the romantic lead, and—if she was lucky—plateaued briefly into the mother or the wife. Then, almost without fail, the camera’s love faded. The lighting grew harsher. The roles shrank into caricatures: the nagging spouse, the comic relief grandmother, or the tragic, sexless figure of resignation.
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