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m. 25: V (Eb major) - root position (Eb - G - Bb) m. 27: vii°7/5 (Db7) - 3rd inversion (Db - F - Ab - Bb) m. 29: vi (Gb major) - root position (Gb - Bb - Db)
| Bar Range | Key | Function | Analysis | |-----------|-----|----------|----------| | 70–72 | B major | Dominant preparation | B – E is V – I in E major | | 73–80 | E major | Tonic | Hymn-like chords: I – IV – V⁷ – I | | 81–88 | C-sharp minor | Relative minor of E major | vi – ii⁷ – V⁷/vi – vi | | 89–96 | A major | Subdominant of E | Secondary dominant: V⁷/IV (B⁷) to IV (A) | | 97–104 | F-sharp minor | Chromatic mediant of A | Deceptive motion via Ger⁺⁶ (F# – A# – C# – D#) | | 105–117 | E major | Tonic return with coda in E | Final cadence: IV – I⁶/₄ – V⁷ – I | schubert impromptu op 90 no 2 harmonic analysis
A final transformation based on the Trio's rhythm, ending in E-flat minor. Section-by-Section Harmonic Analysis 1. Section A (E-flat Major) 29: vi (Gb major) - root position (Gb
For further study, you can access the full Schubert Impromptu Op 90 No 2 Sheet Music at MuseScore or explore Henrik Kilhamn's analysis on YouTube . 90 No. 4 impromptu? 90 No. 4 impromptu?
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