When frozen, her muscle control is impressively rigid, avoiding the subtle swaying or blinking that plagues lesser performers. However, the real standout is what she does during the "unfrozen" moments. The brief windows of confusion, the shifting realization of her lack of control, and the escalating panic in her eyes sell the "fall" mentioned in the title. She successfully bridges the gap between playing a passive mannequin and an active, distressed protagonist.
Interpretive angles