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The 1990s saw the rise of the ‘middle class hero’—the frustrated, unemployed graduate or the honest police officer. Films like Bharatham , Sargam , and His Highness Abdullah explored the crisis of the artist and the crumbling aristocracy. This was also the golden age of political satire, led by the legendary duo Sreenivasan and Mohanlal in films like Gandhinagar 2nd Street and Varavelpu , which dissected the Gulf NRI dream and the corruption of the Keralan political class.