Part 2, however, discards the safety net. The keyword here is reconnection , and director Richard Faber (pseudonym for the production house) wisely allows the runtime to breathe. The first ten minutes of Part 2 are entirely dialogue-driven, a gamble in this genre that pays off spectacularly due to Carter’s monologue about betrayal and Moore’s silent, guilt-ridden posture.
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Is this a reference to a musical performance or experimental art piece? christina carter and randy moore in -reconnection- part 2
Part 2, however, discards the safety net. The keyword here is reconnection , and director Richard Faber (pseudonym for the production house) wisely allows the runtime to breathe. The first ten minutes of Part 2 are entirely dialogue-driven, a gamble in this genre that pays off spectacularly due to Carter’s monologue about betrayal and Moore’s silent, guilt-ridden posture.
Let's get started!
Is this a reference to a musical performance or experimental art piece?
