To watch Valerian is to witness a filmmaker who loves the medium of science fiction with a childlike intensity. It is a reminder that cinema should be about showing us things we have never seen before. For all its narrative shortcomings, Valerian shows us a thousand things we have never seen, and for that, it deserves to be remembered not as a flop, but as a beautiful, expensive, and utterly unique mistake.
The title is slightly misleading yet perfectly poetic. The "City of a Thousand Planets" is not a static metropolis but a living, growing space station known as . Originally a 21st-century international space station, Alpha expands over centuries as alien races are invited—or find their way—aboard. By the 28th century, Alpha is a massive, unwieldy conglomeration of billions of beings from thousands of species, all living in biodomes representing their distinct environments. Valerian And The City Of A Thousand Planets - E...
Critics argued that the film needed older, more seasoned actors (some suggested a young Bruce Willis and Milla Jovovich, reprising their Fifth Element vibe). The age gap (DeHaan was 30, Delevingne 24) isn’t the issue; it is the energy . Besson’s dialogue—fast, quirky, and European—works best when delivered with a wink. DeHaan does not wink; he broods. To watch Valerian is to witness a filmmaker
Her performance as Bubble, a shape-shifting "glamopod," features a dazzling dance sequence that remains one of the most creative uses of VFX in modern film. The title is slightly misleading yet perfectly poetic