Without spoiling too much, the film takes a sharp turn in the third act where it attempts to explain a scientific phenomenon using "love" as a quantifiable variable. For some hard sci-fi fans, this felt cheesy and unscientific, clashing with the rigorous physics established earlier in the film.
For a film specifically like Interstellar , which relies heavily on visual effects and Hans Zimmer’s score, the experience on a platform like Rebahin is typically inferior to authorized methods.