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Leaving Neverland (2019) is the apotheosis of this. Director Dan Reed dispensed with the traditional journalistic he-said/she-said. He simply placed two alleged victims of Michael Jackson in front of the camera for four hours. The "documentary" was, in essence, a therapy session. But crucially, it used the iconography of Jackson’s career—the Neverland Ranch, the music videos, the merchandising—as evidence. The documentary argued that the art was the grooming tool.

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