Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.
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Indonesian youth culture is a paradox: deeply local yet globally connected, pious yet pleasure-seeking, communal yet digitally isolated. Understanding this generation requires moving beyond stereotypes of alay (over-the-top) or anak kekinian (kids these days). They are not passive consumers but active cultural producers who will drive Indonesia’s future economy, politics, and social fabric. Their greatest strength — adaptability — may also be their greatest challenge as they balance tradition with breakneck digital change.
: Thrifting is no longer seen as a budget necessity but as a high-status choice. It is valued for its environmental sustainability and the ability to find unique, vintage pieces that differentiate one's style from mass-market trends.
Indonesia is a nation defined by paradoxes: ancient kingdoms and hyperlinked smartphones, ritualistic courtesy and raw creative disruption. At the heart of this tension is its youth demographic. With over 52% of the country’s 280 million population under the age of 30, Indonesia is not just a consumer market; it is a living laboratory for global youth culture, filtered through a uniquely Gotong Royong (mutual cooperation) lens. Far from being passive adopters of Western trends, Indonesian youth are emerging as cultural architects, blending local spirituality, collective values, and digital-first entrepreneurship.
Contrary to the "apathetic Gen Z" stereotype, Indonesian youth are deeply political, but on their own terms.
: Casual pronouns for "I" and "you," originating from Jakarta’s Betawi dialect Inside Indonesia
Old style karate techniques and training methods still remain in our system. We train with those methods, which are rarely seen in other Ryuha these days.
Tanren-hou (Training method)
Okinawa-sumo (traditional Okinawan wrestling)
Torite (grabbing)
Buki-jutsu (weapons)
Our techniques, from empty hands to weapons,are incorporated in a coherent system and consist of common basic skills.
Historically, Okinawa-kenpo inherited various Kata.
The following is a list of kata which are practiced at Okinawa-kenpo Karate-do, Oki-ken-kai
Karate
Weapons
Indonesian youth culture is a paradox: deeply local yet globally connected, pious yet pleasure-seeking, communal yet digitally isolated. Understanding this generation requires moving beyond stereotypes of alay (over-the-top) or anak kekinian (kids these days). They are not passive consumers but active cultural producers who will drive Indonesia’s future economy, politics, and social fabric. Their greatest strength — adaptability — may also be their greatest challenge as they balance tradition with breakneck digital change.
: Thrifting is no longer seen as a budget necessity but as a high-status choice. It is valued for its environmental sustainability and the ability to find unique, vintage pieces that differentiate one's style from mass-market trends.
Indonesia is a nation defined by paradoxes: ancient kingdoms and hyperlinked smartphones, ritualistic courtesy and raw creative disruption. At the heart of this tension is its youth demographic. With over 52% of the country’s 280 million population under the age of 30, Indonesia is not just a consumer market; it is a living laboratory for global youth culture, filtered through a uniquely Gotong Royong (mutual cooperation) lens. Far from being passive adopters of Western trends, Indonesian youth are emerging as cultural architects, blending local spirituality, collective values, and digital-first entrepreneurship.
Contrary to the "apathetic Gen Z" stereotype, Indonesian youth are deeply political, but on their own terms.
: Casual pronouns for "I" and "you," originating from Jakarta’s Betawi dialect Inside Indonesia
We, Okinawa-kenpo Karate-do Oki-Ken-Kai, work on in a unit called "Keiko-kai".
is a group of like-minded people to practice Okinawa-kenpo any time and anywhere.
Today, there are Keiko-kai in eight region Japan;
Shihan Yamashiro visits each Keiko-kai regularly, trains them, and conducts open seminars.



Shihan Yamashiro has been invited by masters of other styles, and conducted seminars regularly.



He started practicing karate when he was little with his father, Tatsuo Yamashiro, who inherited "Ti" from Hiroshi Miyazato.
He won 1st place at "All Okinawa Full Contact Fighting with Bogu Gear Tournament" in 1992 and 1993,
Written in Japanese.
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