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Dangdut in South Sulawesi, particularly in the Makassar and Bugis regions, has evolved into a unique local subculture often referred to as . While traditional dangdut focuses on rhythm and melody, this subculture is characterized by highly erotic performances where female dancers interact closely with a male audience in exchange for money (saweran). 2. The Nature of the Controversy
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Musically, Dangdut Makassar differentiates itself through a faster tempo, heavier bass, and more aggressive electronic keyboard riffs compared to its Javanese counterpart. Lyrically, it often employs the local Makassarese or Bugis languages alongside informal Indonesian, addressing themes of heartbreak, betrayal, poverty ( kemiskinan ), and migrant labor ( merantau ). However, its most controversial feature is the performance style: female singers (and increasingly male cross-dressers or banci ) wear revealing costumes and execute erotic hip-grinding movements known as goyang (e.g., goyang ngebor , “drilling dance”). This spectacle, staged in open-air tents ( tendang ) at night markets, weddings, and election rallies, forms the crucible where social tensions erupt. Dangdut in South Sulawesi, particularly in the Makassar